I don’t want to tell you how to live your life. But I’d jump at the chance to watch Blade II if I were you. Or don’t. Have you ever seen it before? When was the last time you watched it? Either way, it’s worth putting on. That’s just what I think.
You can rent it on YouTube, Google, or Apple, and it's worth every penny.
The 2002 superhero movie came out years before Marvel Studios was born and became an efficient blockbuster factory for Disney. That was an awkward era for the genre, and for Marvel specifically. In 2003, Marvel and Universal produced Ang Lee’s ambitious attempt to turn the Hulk into a Greek tragedy about the sins of the father. Then there’s Ben Affleck’s Daredevil, a movie that wanted to be Batman and The Matrix instead of Daredevil and failed on every level.
But Blade II is a perfect example of what a superhero movie can and should be, and the MCU’s current executives should rewatch this movie because it is still snappy, clever, and action-packed. It’s also one of the most gruesome of Marvel’s films, and that’s probably because the guy they hired to run the show is an artist and a shlock-loving entertainer who understands what nerds want.
Blade II is directed by Guillermo Del Toro, the stylish filmmaker who directed another classic superhero monster movie — Hellboy — and more high-brow creature features like Pan’s Labyrinth and the Academy Award-winning fish tale The Shape Of Water. He’s an astonishing talent, really, a versatile and sophisticated storyteller with a child-like dark side. He’s a man in touch with the monsters under the bed. Personally, I wish he’d make another vampire movie because one reason Blade II works so well is he knows it’s a horror movie.
The title character, Blade, is a half-human, half-vampire vigilante who possesses all the powers of a bloodsucker without any of their weakness. He’s nicknamed The Daywalker for a reason (a slightly less cool nickname is Captain Extra Garlic, Please.) Blade is also a martial arts expert with all kinds of swords, knives, and razor boomerang gadgets. He’s into black leather and his mustache is always—always—perfectly trimmed.
Created in 1973 by the legendary comic book writer Marv Wolfman and artist Gene Colan, Blade was a C-list crimefighter who wore his sunglasses at night while fighting all kinds of Draculas.
Blade is cool. Vampires are cool. Blade killing vampires? C’mon. I don’t want to pressure you into doing something you don’t want to do but, like, Blade II rules. Now, I know you’re wondering: what if I haven’t seen the first Blade? Don’t worry about it. Is there a third sequel? Yes, but you don’t have to watch that one. There is only Blade II. That’s all you need. Backstory? He hunts vampires. Boom. Plot? Okay, fine. You want more plot, here’s more plot: There are these super vampires whose faces split open like horrible Venus flytraps and they feed on vampires and so the vampires reach out to their enemy Blade for help and there you go. Uneasy alliance. Fist fighting. Ropes of blood. That’s the story more or less.
Blade II features a number of solid B-movie performances from a babyfaced, pre-The Walking Dead Norman Reedus, Del Toro's favorite Ron “Hellboy” Perlman, and outlaw country legend Kris Kristofferson as Blade’s crusty old sidekick. His character is called ‘Whistler’ but he’s just Kris Kristofferson, komplaining and kursing up a storm.
Leonor Varela is memorable as a royal vampire ninja assassin, as is Luke Goss as Nomak, one of the Reavers, the main villains with the split-open mouths and suction cup-tipped tentacle tongues. Those effects are still pretty solid, even if some of the CGI is a little dated, especially the way the vamps explode into sparks when spiked through the heart with silver.
But Blade II’s magic isn’t just the computer imagery or the fantastic practical effects. Del Toro’s talent for world-building is part of the magic: the vampires in Blade II are sexy, dangerous, and they love raves. They’re also ruled by an ancient Nosferatu who is a cross between a high priest and a CEO. But the rest of the movie’s magic, a gigantic portion, is the man himself, Wesley Snipes.
I know it’s a cliche to write about how a certain actor was “born to play” a certain role but Wesley Snipes was born to play a merciless fanged vampire hunter who never, ever, smiles.* I think it’s also worth pointing out that Snipes is one of the finest actors of his generation, a scene-stealer in Spike Lee’s Jungle Fever and the ridiculous 1993 sci-fi comedy Demolition Man opposite Sylvester Stallone.
He showed off his considerable comedy chops in two Eddie Murphy movies: 2019's underrated Dolemite Is My Name and the mediocre 2021 sequel to Coming to America.
As an actor, Snipes contains multitudes but he is his best in Blade II, a powerfully built man with graceful bone-snapping combat moves. This past summer, he donned Blade’s trademark shades again in the flat, and mercenary, Marvel multiverse team-up Deadpool & Wolverine. It was nice to see him.
There has been a tortured Blade reboot starring Oscar-winner Mahershala Ali in the works for years, but that seems to have stalled. Too bad. Ali is brilliant, of course, but this may be a sign from the universe: only one mortal can play Blade.
One star.
It’s not like the man is not without controversy. I know Snipes had problems with the IRS and went to prison. I sometimes think of the billionaires and Fortune 500 companies that don’t pay their taxes, and how they don’t suffer any consequences and get mad. I don’t know if Snipes deserved almost three years behind bars. I guess my point is: 100% Blade doesn’t pay his taxes.
Snipes’ Blade is an emotionless killing machine with a samurai sword. That’s it. Simple. There are other subplots, I guess. Blade II is partly about the bromance between Blade and Kris Kristofferson. The old man is rescued from vampire prison in the movie’s opening because no friend of Blade’s suffers in vampire prison.
Sadly, ol’ Whistler was bitten.
Blade does what he can to save Kristoferson from vampirism but ultimately, the anti-vampire serum either works or doesn’t. And if it doesn’t, he’s dead. Blade is loyal. He’s a good guy. But he’s also hard. Hard as fuck. You’d understand if you were a half-breed nightstalker hunter. If you get bit, and you turn, then it’s buh-bye.
This brings me to another reason I love Blade, and that’s because he’s a superhero for those of us who grew up biracial. In my case, I’m half-white, half-Latino and you can bet if my dad was an ancient evil that fed on the blood of the innocent I’d go Blade on him but he was a very nice Baptist who loved my mom.
Life is full of big questions. I don’t have the answers to them. But I know the answer to the question “Should I watch Blade II?” is “yes.” Say “yes” to the good things in life. Friendship, croissants, the love of dogs. Blade II. Let Blade into your heart, unless you’re an undead predator who shuns sunlight, then let Blade rip your heart out.
But do what you want.
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Slightly off-topic: have you seen Ana Lily Amirpour's "A Girl Walks Home Alone at Night"? If not, as a vampire lover you must!
All the Blades are good. I remember watching Blade Trinity in the cinema.. an excellent time.